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Fievel Crane Posts

POEM: The Ballad Of Artemis 2

The Ballad Of Artemis 2

four little humans
in their little tin can
gonna circle the moon
“one giant step for man”

that’s what Neil said
but not what he meant
he did the best he could
while he was hell-bent

on that little piece of heaven
or as close as he could come
at least until each of us
can stick out our thumb

and an alien will take us
on a trip to Barnard’s Star
you can’t see it from here
but it’s not all that far

for now though we wait
just a few days more
for those four tiny humans
in their tin can to soar

around the moon’s back side
you know what I mean
and go the all-time furthest
of any human bean

/ / /

3 April 2026
Charlottesville VA

Day 3 of National Poetry Month

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POEM: All Things Being Equal

All Things Being Equal

Keeping it 100,
I’d like to get the fuck out of here.

Keeping it real,
“here” means Charlottesville and life.

Keeping it another buck,
there are times
when I spend two hours
on the lawn with friends
and it all seems a little more bearable.

The sun is almost down.
The cat is on Stephanie’s lap.
A jay is doing jay things
in the neighbors’ tree.

All things being equal,
I guess tomorrow can come.

/ / /

2 April 2026
Charlottesville VA

Day 2 of National Poetry Month 2026

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POEM: Modern Love

Modern Love

David Bowie looks better in his mug shot
than most of us do when we go out on the town.
Then again, he doesn’t believe in modern love
so maybe that helps. Or helped. Of course.

It puts my trust in God and man, he said.
I don’t particularly believe in either of those
but if it had to stake it all on one or the other
I’d give homo sapiens a better chance

of fixing the cracks in the wall, the holes in the dam,
of pushing back the darkness we’ve created.
Not a particularly good chance,
just a better one than God.

The song has changed on the radio.
Time has come today.
Nobody’s coming to help us.
And Dave has left the building.

/ / /

1 April 2026
Charlottesville VA

Day 1 of National Poetry Month 2026

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POEM: Waiting For You

Waiting For You

Birds flee the rush of the train.
They leap skyward
from the roof of the record store,
circle the parking lot
once, twice, three times,
but the train’s still going,
hundreds of cars of who knows what
heading for who knows where.
A pedestrian in a thin black leather jacket
looks apprehensively at the sky,
headphones on, oblivious to the train.
The birds, tired of waiting,
move farther off
in a swirl
of black wings, forked tails.
After what feels like too long,
a bell signals the raising of the guard rails
on either side of the tracks.
The street is moving again.
The train recedes like a distant storm.

/ / /

21 February 2026
Charlottesvile VA

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POEM: Pictures Of The Gone World

Pictures Of The Gone World

There used to be apartments at Carnegie Hall.
Artists lived in them, photographers, composers.

There used to be apartments at Carnegie Hall.
Rent controlled, so people could still afford them.

There used to be apartments at Carnegie Hall.
Bill Cunningham lived there, the eye of fashion.

There used to be apartments at Carnegie Hall.
They turned them into offices, row and rows of cubes.

There used to be apartments at Carnegie Hall.
The tenants asked for help, but none was forthcoming.

There used to be apartments at Carnegie Hall.
Now the telemarketers call above the theater below.

There used to be apartments at Carnegie Hall.
There used to be apartments at Carnegie Hall.
There used to be apartments at Carnegie Hall.
There used to be apartments at Carnegie Hall.

/ / /

12 February 2026
Charlottesville VA

Watch this.

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POEM: Fielder’s Choice, or, Defensive Indifference

Fielder’s Choice, or, Defensive Indifference
for Stevie Smith

I do not write poems that rhyme.
It’s not that I don’t have the time,
It’s that I lack the aptitude.
And furthermore, my attitude
Is that rhyming poems just aren’t as deep.
They have a tendency to creep
Close to what we might call song,
And while that brings the crowds along,
It doesn’t pierce the constant gloom.
I prefer to sit here in my room
And scribble down my verses free
Of what has always seemed to me
Like poetry made for a kid –
Oh look at what I’ve gone and did.

/ / /

11 February 2026
Charlottesville VA

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Mental Health Day Haibun

Mental Health Day Haibun

There are moments — like right now when I’m drinking Earl Grey tea and reading Bao Phi’s poetry and listening to a young cellist play Enescu on the local classical station — when I can almost see what contentment looks like.

scrape of cello
over smashing ice
post-storm symphony

/ / /

30 January 2026
Charlottesville VA

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POEM: Nostalgia is a gun that backfires

Nostalgia is a gun that backfires

Alan Watts drank himself to death at 58.
Ralph Towner died at 85 years old.
My grandparents lived into their 90s.
Me, I’m looking through old photos
on a hard drive in my bedroom,
wondering where the years have gone
and what I was doing while they were passing.
I see my friends’ kids laughing.
My own kids laughing.
There are former lovers and partners,
friends and collaborators,
minor celebrities and major heartbreaks.
Ones and zeroes translated into
ones I remember and ones I try to forget.
But there is no forgetting, just incorporating
the names and faces and feelings
into a new version of who I am.
This version will be out of date
by the time I finish this poem,
replaced by a new me who’ll load
the same bullet into the same chamber,
having learned no lessons.
Nostalgia is a gun that backfires,
the shot echoing through the house.

/ / /

21 January 2026
Charlottesville VA

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POEM: Humoresque

Humoresque

Sometimes I see people in old movies
and I’m jealous that they’re surely dead by now.
They did it. They made it through.
Whatever was going to happen to them happened.
It either killed them or it didn’t. Eventually it did.

The two middle-aged music instructors,
just now entering a classroom in a movie from 1946 —
they’ve been gone for decades.
They died before the internet, before smart phones,
before social media, before the climate catastrophe.

Now sure, they died before a lot of good stuff, too.
The world getting better for people who looked different
than every single cast member in this film, for instance.
But the point is they just don’t have to worry about it anymore.
And I still do.

/ / /

6 January 2026
Charlottesville VA

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POEM: A Petroleum Litany

A Petroleum Litany

Under your mountains there is oil.
Under your forests there is oil.
Under your prized historic sites there is oil.
Under your government buildings there is oil.
Under the streets of your town there is oil.
Under the school your kids attend there is oil.
Under the church where you worship there is oil.
Under your favorite arepa shop there is oil.
Under the trees in the park there is oil.
Under the bench on the sidewalk there is oil.
Under your neighborhood there is oil.
Under your home there is oil.
Under your feet there is oil.
Under your flesh there is oil.
Under your lives there is oil.
And it belongs to us.

/ / /

4 January 2026
Charlottesville VA

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haiku: 3 January 2026

in the background of the video
a gull cries out:
my heart aches for the water

/ / /

3 January 2026
Charlottesville VA

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POEM: Barlow Knives And Magazines

Barlow Knives And Magazines

The man in the video is holding a Barlow knife.
He has dry hands. American men have dry hands.
He’s talking about listening to his dad
and his dad’s friends
swap stories in the garage, always embelleshing.

I grew up listening to women, sometimes in the kitchen,
more often in the living room.
They also swapped stories, embellishing just like the men.
Where the men focused on deeds,
the women focused on tragedy.

The man in the video has a workbench cluttered with tools.
There are watch batteries in a package,
knives of various descriptions,
a large mallet, a pair of needle-nose pliers,
a vice grip because there is always a vice grip.

I grew up with magazines, lined up on the cedar chest.
The cedar chest that we used as a coffee table.
It was made by my grandfather, who was either
not in the room or so quiet that he might as well have been missing.
The magazines had recipes and photos of lovely, silent rooms.

The man in the video remembers watching The Lone Ranger as a kid.
He remembers having his first pocket knife as a kid, too.
He went to high school in the 70s, right around the time I was born.
One of his knives is from the bicentennial.
Another commemorates Reagan’s presidency.

I remember watching Reagan get shot on the TV.
I remember watching the pope get shot on the TV.
I remember going to the school office and my mom being on the phone.
She told me the space shuttle Challenger had exploded.
I wonder if the man in the video remembers that.

/ / /

1/1/26
Charlottesville VA

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The Depressed Genius Of Peanuts

I’ve always loved Peanuts. Now that I’m middle-aged, though, I love it in a different way. Several years back, 3eanuts first introduced me to the depressive nature of the strip. That was the first time I started to relate to it in a deeper way. And the more I’ve learned about Charles Schulz, the more I identify with him as a creative person with a deep sense of inadequacy and a frequent lack of faith in the love shown to him by others. All of this together has made me approach Peanuts anew with a much deeper emotional connection. Then, too, there’s my strong desire to go home to New England. That’s not where Peanuts is set, but the interior world of Peanuts reminds me of the interior world of my childhood there and also of the feeling of groundedness I get when I’m home. These days I’m going through a major period of obsession with Peanuts, at the same time as a renewed desire (need?) to return home, and I now realize I’m going to have to own all of these, having finished the first volume tonight. I owned several volumes before, but lost them all in one of my many (mis)adventures. Thanks, Sparky. You really did a thing.

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