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Fievel Crane Posts

POEM: Pictures Of The Gone World

Pictures Of The Gone World

There used to be apartments at Carnegie Hall.
Artists lived in them, photographers, composers.

There used to be apartments at Carnegie Hall.
Rent controlled, so people could still afford them.

There used to be apartments at Carnegie Hall.
Bill Cunningham lived there, the eye of fashion.

There used to be apartments at Carnegie Hall.
They turned them into offices, row and rows of cubes.

There used to be apartments at Carnegie Hall.
The tenants asked for help, but none was forthcoming.

There used to be apartments at Carnegie Hall.
Now the telemarketers call above the theater below.

There used to be apartments at Carnegie Hall.
There used to be apartments at Carnegie Hall.
There used to be apartments at Carnegie Hall.
There used to be apartments at Carnegie Hall.

/ / /

12 February 2026
Charlottesville VA

Watch this.

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POEM: Fielder’s Choice, or, Defensive Indifference

Fielder’s Choice, or, Defensive Indifference
for Stevie Smith

I do not write poems that rhyme.
It’s not that I don’t have the time,
It’s that I lack the aptitude.
And furthermore, my attitude
Is that rhyming poems just aren’t as deep.
They have a tendency to creep
Close to what we might call song,
And while that brings the crowds along,
It doesn’t pierce the constant gloom.
I prefer to sit here in my room
And scribble down my verses free
Of what has always seemed to me
Like poetry made for a kid –
Oh look at what I’ve gone and did.

/ / /

11 February 2026
Charlottesville VA

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Mental Health Day Haibun

Mental Health Day Haibun

There are moments — like right now when I’m drinking Earl Grey tea and reading Bao Phi’s poetry and listening to a young cellist play Enescu on the local classical station — when I can almost see what contentment looks like.

scrape of cello
over smashing ice
post-storm symphony

/ / /

30 January 2026
Charlottesville VA

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POEM: Nostalgia is a gun that backfires

Nostalgia is a gun that backfires

Alan Watts drank himself to death at 58.
Ralph Towner died at 85 years old.
My grandparents lived into their 90s.
Me, I’m looking through old photos
on a hard drive in my bedroom,
wondering where the years have gone
and what I was doing while they were passing.
I see my friends’ kids laughing.
My own kids laughing.
There are former lovers and partners,
friends and collaborators,
minor celebrities and major heartbreaks.
Ones and zeroes translated into
ones I remember and ones I try to forget.
But there is no forgetting, just incorporating
the names and faces and feelings
into a new version of who I am.
This version will be out of date
by the time I finish this poem,
replaced by a new me who’ll load
the same bullet into the same chamber,
having learned no lessons.
Nostalgia is a gun that backfires,
the shot echoing through the house.

/ / /

21 January 2026
Charlottesville VA

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POEM: Humoresque

Humoresque

Sometimes I see people in old movies
and I’m jealous that they’re surely dead by now.
They did it. They made it through.
Whatever was going to happen to them happened.
It either killed them or it didn’t. Eventually it did.

The two middle-aged music instructors,
just now entering a classroom in a movie from 1946 —
they’ve been gone for decades.
They died before the internet, before smart phones,
before social media, before the climate catastrophe.

Now sure, they died before a lot of good stuff, too.
The world getting better for people who looked different
than every single cast member in this film, for instance.
But the point is they just don’t have to worry about it anymore.
And I still do.

/ / /

6 January 2026
Charlottesville VA

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POEM: A Petroleum Litany

A Petroleum Litany

Under your mountains there is oil.
Under your forests there is oil.
Under your prized historic sites there is oil.
Under your government buildings there is oil.
Under the streets of your town there is oil.
Under the school your kids attend there is oil.
Under the church where you worship there is oil.
Under your favorite arepa shop there is oil.
Under the trees in the park there is oil.
Under the bench on the sidewalk there is oil.
Under your neighborhood there is oil.
Under your home there is oil.
Under your feet there is oil.
Under your flesh there is oil.
Under your lives there is oil.
And it belongs to us.

/ / /

4 January 2026
Charlottesville VA

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haiku: 3 January 2026

in the background of the video
a gull cries out:
my heart aches for the water

/ / /

3 January 2026
Charlottesville VA

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POEM: Barlow Knives And Magazines

Barlow Knives And Magazines

The man in the video is holding a Barlow knife.
He has dry hands. American men have dry hands.
He’s talking about listening to his dad
and his dad’s friends
swap stories in the garage, always embelleshing.

I grew up listening to women, sometimes in the kitchen,
more often in the living room.
They also swapped stories, embellishing just like the men.
Where the men focused on deeds,
the women focused on tragedy.

The man in the video has a workbench cluttered with tools.
There are watch batteries in a package,
knives of various descriptions,
a large mallet, a pair of needle-nose pliers,
a vice grip because there is always a vice grip.

I grew up with magazines, lined up on the cedar chest.
The cedar chest that we used as a coffee table.
It was made by my grandfather, who was either
not in the room or so quiet that he might as well have been missing.
The magazines had recipes and photos of lovely, silent rooms.

The man in the video remembers watching The Lone Ranger as a kid.
He remembers having his first pocket knife as a kid, too.
He went to high school in the 70s, right around the time I was born.
One of his knives is from the bicentennial.
Another commemorates Reagan’s presidency.

I remember watching Reagan get shot on the TV.
I remember watching the pope get shot on the TV.
I remember going to the school office and my mom being on the phone.
She told me the space shuttle Challenger had exploded.
I wonder if the man in the video remembers that.

/ / /

1/1/26
Charlottesville VA

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The Depressed Genius Of Peanuts

I’ve always loved Peanuts. Now that I’m middle-aged, though, I love it in a different way. Several years back, 3eanuts first introduced me to the depressive nature of the strip. That was the first time I started to relate to it in a deeper way. And the more I’ve learned about Charles Schulz, the more I identify with him as a creative person with a deep sense of inadequacy and a frequent lack of faith in the love shown to him by others. All of this together has made me approach Peanuts anew with a much deeper emotional connection. Then, too, there’s my strong desire to go home to New England. That’s not where Peanuts is set, but the interior world of Peanuts reminds me of the interior world of my childhood there and also of the feeling of groundedness I get when I’m home. These days I’m going through a major period of obsession with Peanuts, at the same time as a renewed desire (need?) to return home, and I now realize I’m going to have to own all of these, having finished the first volume tonight. I owned several volumes before, but lost them all in one of my many (mis)adventures. Thanks, Sparky. You really did a thing.

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POEM: Title Sequence

Title Sequence

[ ]

Leave

space

for silence.

Leave it for

a renewed faith in us.

Leave space for your
notions to slowly wither;

to shrivel up into themselves
like the leaves
of a long-neglected plant.

The truth, at least as I
understand it, is that nothing
I create can be destroyed,
and all I destroy reappears.

This metaphysical physical conundrum
isn’t reincarnation, exactly.
But it does mean that what was me
lives on to become someone else,
just as I am the result
of my ancestors, both known
and unknown.

More: It means that every atom
belonging to me as good belongs to you,
which is something Uncle Walt knew
way back in 1855. What did he mean?
The word “atom” appeared long before Walt,
but our modern understanding
of magical miniatures was in its infancy
when Walt decided we shared
our mystical star stuff.

I guess there have always been seers.
People whose eyes gazed upon
the same reality as mine do now,
and yet saw deeper into the ones
and zeroes of the breath breathed
into Adam or out from Brahma.
Where I see a river they saw
a river of stars, flowing into the infinite,
reflected again and again in each nexus
of Indra’s incomprehensible net.
A web with no weaver, no spider,
but no less real for its unreality.
At each nexus a jewel;
in each jewel a universe.

Sing me a song of this web.
Sing me the melody of a miracle.
Sing it into the silence
for which space was left.
Sing it over the sound
of the rushing water.
The song is a vibration –
waves of sound across the ocean
that separates me from you,
you from the infinite.
An ocean found on no map.
An ocean that disappears
the moment we attempt
to set sail upon it.
No boat ever built
can conquer this trackless expanse,
this gulf that collapses to the head of a pin.
Look and see the angels,
robes whirling in the sun,
as they dance to the silence,
the unrelenting, comforting silence
that falls as you look into the mirror
and see my face looking back.
Somehow we’ve always known.
When I open my mouth
your voice emerges
in silence
for which space was left.

/ / /

1 November 2025
Charlottesville VA

The stanzas in this poem follow the Fibonacci sequence, with the word count of each stanza following the sequence, starting from the null set in the first line.

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POEM: Shoe-Hole Sailor

Shoe-Hole Sailor

Jimmy Murphy is a shoe-hole sailor.
He travels the world from heel to toe.
You see all kinds of things in the shoe-hole.
At least you do if you know how to look.
Jimmy has a good pair of eyes on him.
Eyes sharpened from a lifetime of sailing.
He can spot a goshawk lacing the clouds
that to you or me would just be a speck.
Jimmy likes a drink, but never in the hole.
He’s too cautious a shoe man for that.
And if you’ve got a deck of cards to hand,
Jimmy will give you a game of gin rummy.
It’s not a bad life, this sailing the shoe-hole.
You don’t make much money, but you see a lot.

/ / /

29 October 2025
Charlottesville VA

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